Showing posts with label Katie Hopkins. Show all posts
Showing posts with label Katie Hopkins. Show all posts

Sunday, 23 September 2018

Oh!


Obviously, the topic of the moment is Theresa ‘not-for-turning’ May. But I’m not going to write about that. I haven’t been dwelling on it. To be honest (always am) I’m a bit bored with Brexit now. I feel helpless and fatalistic about it and as far as I can tell (maybe not far) the BBC hasn’t performed much more one-sidedly over unfolding Brexit news than other news organs have. Let’s see how the Sunday programmes handle it. 

cruelty

Instead, I’m going to write about something trivial and largely unconnected with the Beeb.  I can’t remember where I came across it - perhaps below-the-line on Biased-BBC - but it concerned one of the Deborahs. I always get my Deborahs confused. There’s Deborah Orr, a Guardian columnist with whom I fundamentally disagree about everything, particularly her choice of husband, albeit a relationship that seems to be unravelling, and the other one who writes in The Times. Orr and Ross; the similarities in those letter sequences add to the confusion. Deborah Ross is just one of a cavalry of amusing lady columnists whose multifarious and light-hearted pieces entertain even if they don’t especially inform or educate. 

chuffed

What has she gone and done now? Well, she’s written a vituperative piece about Katie Hopkins, and caused a small below-the-line uproar.

What’s disappointing is that someone like Deborah Ross should choose such an easy target. Katie Hopkins sets out to stir shit, so why bother berating her for that? That’s her MO. However, the excessive schadenfreude in Ross's uncharacteristic rant is unbecoming and also a bit stinky.

I’d say to Deborah, so I would (if I were Irish) “now that Hopkins has suffered the financial consequences of her outspokenness and stubbornness, your satisfaction and your all-out gloating negates any righteousness you might feel from Katie Hopkins ‘getting her just deserts’. “

The thing is, that Katie Hopkins is (marginally) my kinda gal. She says stuff that some of us ‘think’, at fleeting moments, in the privacy of our own heads. Rude thoughts; who doesn’t have them?
Also, Jack Monroe is insufferable, although she seems to have mellowed with the hairstyle, and as for Laurie Penny with her squeaky opinions, give me Katie Hopkins any day of the week.

Hopkins’s combative style and radical fundamentals are what makes her stand out. That’s it. She’s not a very good interviewer, especially with someone she agrees with. She needs an argument to raise her above the mediocre. I watched her ‘soft’ interview with Anne Marie Waters and it struck me she would never have got very far, career-wise, without being outrageous and obnoxious.
Deborah Ross even manages a passing swipe at Tommy Robinson. Good grief, say something original. That’s your job.

*******

If I hadn’t already binge-watched it, I’d have been tuning in to BBC One to see “Killing Eve” last night. I thought the adaptation was terrific and Jodie Comer’s performance as an engaging, nay, loveable murderous psychopath was mesmerising. I loved Sandra Oh, (great name) with those eyebrows that constantly shot up in consternation like the apex of a steeply pitched roof.  For once I agree with Hugo Rifkind.


Wednesday, 14 March 2018

Apocalypse Now

Peering through the curtains this morning at a monochrome world; grey sky, grey everything. On the bright side, at least one doesn’t have to strain one's eyes looking at garish blues and greens. Perhaps a taster of the colourless post apocalyptic world that we might be facing very soon. So before it’s too late, I thought I’d articulate my ambivalent attitude towards the current ‘refusals of entry’ debacle and reiterate the usual accusations against the BBC while I'm at it.

No doubt you’ll have heard about the Home Office’s startling decision to refuse entry to the youthful threesome, Lauren Southern, Brittany Pettibone and  her Austrian beau Martin Sellner. 

There’s the matter of the actual letter, which was apparently written by someone unfamiliar with the English language, and which, to add insult to injury, has sailed through the Home Office’s quality control, if such a thing exists. 


So, is the letter real or fake? Who can tell? One hopes it’s fake, for all our sakes. Otherwise, the Home Office is in serious need of Dame Louise Casey

This banning appears to be extreme overkill on the part of the Home Office. On one level, it hands unnecessary ammunition to those who believe the establishment and the powers that be are colluding to suppress freedom of speech. It’s the familiar “you’re not helping” mantra that emanates from an ominous drive, notably by the BBC, to artificially engineer social cohesion by brushing disagreeable stuff under the rug and hoping for the best.

On another level, the banning itself, which I think I heard being vaguely justified by a claim that it’s to preempt potential terrorism, gives disproportionate weight to the credibility of the threesome’s ability to threaten the fabric of society. Our home-grown antifa louts are aggressive, shouty and troublesome, and they’re triggered by anything they see as remotely right wing. In comparison, the antics of Lauren Southern and co are distinctly benign. They film themselves in self-inflicted confrontations with the enemy. How frightened need we be of that? Their modus operandi is to poke and provoke, and then upload the response, if it’s entertaining enough, on YouTube.  

For one thing, Martin Sellner the Austrian, identifies as an Identitarian. That organisation, which is   described as far (or alt) right, has a sinister whiff of the white supremacist about it. This is where where patriotism becomes nationalism and embraces antisemitism and fascism, when alt-right goes right round the back and comes out the other side as alt-left where it hosts much of the present day's virulent antisemitism. In fact “right” is now such a pejorative term that one hesitates to even say it, but in truth the left is effectively the new right.

Tommy Robinson needn’t diminish himself by orchestrating self-inflicted punch-ups with louts in kaffiyehs and balaclavas because he’s already got the ear of the cognoscenti. And now he’s - dare I say ‘unwittingly’ - volunteered to read out the speech at Speaker’s Corner on behalf of the Identitarian. Let’s hope this particular Identitarian is not so much a follower of traditional Identitarianism as a revisionist one and is solely against open borders and creeping Islamisation. I mean let's hope he doesn't turn out to be full-on white supremacist and antisemitic.  Of course, if the authorities are keeping their customary  watchful eye on ‘enemy of the state’ Tommy Robinson, his rendezvous with Speaker’s Corner might not happen.

So that’s one thing. Ambivalence part one. Here’s a tangentially related case of ambivalence, where I almost hesitate to say something I might regret. But what the hell. I reserve my right to change my mind. 

I read Daniel Sugarman in the Jewish Chronicle decrying the very presence of Katie Hopkins at a Zionist Federation event. What was worse, said Sugarman, is that she was photographed with Mark Regev. 
“The question everyone should be asking is: how on earth could someone with Ms Hopkin’s repugnant views have been able to get within 10 feet of him?
Sugarman feels that the Federation is being tainted by association with a woman who referred to African Migrants as “Cockroaches”. Oh dear, will Katie Hopkins ever live that down? Will anyone ever live anything down? Like Boris’s infamous ”piccaninnies with watermelon smiles” and other context-light witticisms that people ill-advisedly blurt out.  No-wonder some of us are terrified of saying anything in case it’s taken down and used as evidence against us later in the court of public opinion.

As for her repugnant views, well, Katie is after all a professional controversialist, and one might indeed think, with friends like this who needs enemies. But I’d rather have them as friends than enemies, wouldn’t you? Not only Katie Hopkins by the way. Tommy Robinson gets a mention too. 
“……..Or the diplomatic faux-pas just a few months ago when Elad Nehorai, the embassy's Director of Public Diplomacy, approvingly retweeted another far-right activist who likes Israel - Tommy Robinson.”
This antipathy towards Katie Hopkins and Tommy Robinson indicates a profound misreading of present day British society. It comes across as mere snobbery. These individuals may be rude, they may be rough, but they recognise the antisemitism within Muslim society, and in so doing show a realistic understanding of what Israel is up against, unlike the Islam-appeasing media, the British government and much of the general public, thanks to the BBC.  Don’t knock it, Jewish Chronicle. 

Your attitude may be well meaning in the same way as Lord Dubs who took the view that we have a moral obligation to accept thousands of Muslim child refugees because, Kindertransport. I would cautiously suggest that current circumstances invalidate any equivalence.

Fear of being tainted by association, taking pains to distance oneself from certain personae non gratae, being terrified of aligning oneself with activists against creeping Islamisation, being perceived as less than liberal and less than tolerant is almost understandable, but it panders to the antisemitic saying that “Jews of all people" should have learnt the lesson of the past - and therefore should be sympathetic to and tolerant of all, no matter what. That's logic of a most inverted kind.

Not so long ago many Zionists were falling over themselves to dissociate themselves with the EDL, as the whole argument was taking place on the left’s terms, and they’re still doing it, though now the toxicity lies with the ‘right” and the argument is still taking place entirely on the left’s terms. 

While we’re talking about African migrants, see this page on the BBC website.  The whole page is devoted to demonising Israel.



And here’s a BBC Trending film clip, dedicated to demonising Israel for its treatment of African Migrants. It's presented by an anti-Israel activist from Electronic Intifada called David Sheen.    

To add to my earlier post about the film “Working with the enemy” in the BBC World’d series “Our World” which was an unadulterated piece of anti-Israel agit prop, I offer you BBC Watch’s two-part deconstruction of the film’s content here and here. Do read it.

If there's one thing I'm not ambivalent about it's simply this. There is no justification for the BBC’s relentless and open vilification of Israel.

Thursday, 26 October 2017

A would-be 'hate crime' against Katie Hopkins


Another curious difference between ITV, Sky and the BBC's reporting this afternoon can again be summarised by screengrabs of their headlines for another story.

ITV has:


Sky has:


The BBC has:


It gets even odder. Not only does the BBC not include the terrorist's wish to murder Katie Hopkins in their headline (unlike both ITV and Sky), it also fails to mention anything about the threat to Katie's life in its main news report either. 

Why is the BBC uninterested in reporting this angle to the story?

*******

Seriously, the BBC's lack of interest in the Katie Hopkins part of the story is extraordinary. The online newspapers are also making it a key angle (The IndependentMadihah Taheer: Woman who fantasised about beheading Katie Hopkins convicted over terror plot; The TimesIslamist married couple bought knives and planned to behead columnist Katie Hopkins; The TelegraphWould-be jihadist fantasised about beheading of Katie Hopkins and helped husband prepare for terror attack, etc).

The BBC website also has a long article by Dominic Casciani (almost a love story) which also completely fails to mention Katie Hopkins.

Saturday, 24 June 2017

Ian Hislop: Who should we let on our screens?

Due to recurrent insomnia I often nod off during a programme I’ve deliberately stayed awake to watch, if you’ll forgive the slight oxymoron.
That may have been the case with Ian Hislop's: “Despite all the racist scaremongering in Victorian times we ‘let the Jews in’, so despite the current racist scaremongering we must ‘let the Muslims’ in now” programme. (BBC 2, 22nd June) 


Just in case I missed the bit where Hislop pointed out the difference between the racist scaremongering apropos the Jews (which didn’t turn out quite as bad after all) and the racist scaremongering over current mass Muslim immigration, (over which the jury's still out but it's not looking good) I turned to the press reviews. 

Oddly enough, the only reviews I could find were in the lefty press, plus the Telegraph, a kind of honorary member.

Strange to tell, there was one thing in particular upon which they were all agreed. What got their goat above all else was Katie Hopkins, whose very presence defiled the programme. If twinkly Hislop insisted on having her there, he could at least have punched her in the face. Poor Rachel Cooke of the New Statesman almost threw up, but she gave Hislop a gold star.

Chitra Ramaswamy of the Guardian was full of praise for the programme, but had a caveat: 
“Hislop (granted, another posh, white, Oxbridge-educated man here to teach us about foreigners) is on razor-sharp, twinkly-eyed form, reminding us that it was not ever thus.”
 Oh yes, and another. She wasn’t keen on Katie either: 
“ it’s time to cease giving this preacher of hate a mainstream platform.”

The Telegraph’s Michael Hogan went straight for the jugular:
“Liberal-baiting battleaxe Katie Hopkins will doubtless steal headlines for her typically toxic appearance on Who Should We Let In? Ian Hislop on the First Great Immigration Row (BBC Two) – causing a stir is, after all, the tiresome professional troll’s job – but it would be a shame if Hopkins overshadowed what a thorough and thoughtful film this was. “

I’m pleased to report that the sufferers of ostrich parasitic syndrome who made the programme and wrote the reviews got a bit of a drubbing below the line.

Monday, 5 June 2017

Fake News again

There is a certain amount of crossover between ITBB and Biased-BBC, and as you can see we were urged to cover the CNN Fake News story that Biased-BBC is featuring here. Pleased to oblige.

Notorious bad-girl Katie Hopkins has raised the matter with the BBC, as allegedly the BBC aired a clip from the staged footage during one of their news bulletins. (I missed it and it’s unavailable on iPlayer.) Katie is keen to know who provided the props.

The BBC is always jumping the gun - not checking the veracity of an item - when it suits the narrative (not so much when they’re oh so carefully (Martine Croxall) avoiding any premature and potentially libellous naming of the religion of peace in connection with an unfolding terrorist atrocity) but manipulated sound-bite type stuff is more at home on ‘BBC Trending’.

Anyway, footage of a London-based CNN anchor named Becky Anderson staging (or inventing) a feel-good news item has gawn viral. Or is she merely doing what TV journos do?
The film in question shows director Becky and her crew assembling a few hijab wearing women in front of the cameras, with ready-made placards and flowers. Does this prove that much of the news we get is stage-managed? Is the whole thing one gigantic, agenda-driven  fake?



You’ve all heard the story (maybe you haven’t) of a conversation between strangers sitting next to each other on a flight. A war had broken out in the vicinity of their departure. The two passengers sipped wine and chatted about where they had been and why. “I’m a producer from TV news” said the man, “covering the war.” “Then why,” said the other man, “are you flying away from the action, rather than towards it?”  “It’s fine” said the man. “I’ve got my crew there. They know what footage I want. I’m going home.”

Is that relevant?

The first question that occurred to me when I read about this peculiar CNN incident was: who on earth filmed this pantomime and why? (You can’t help wondering, can you?) It seems it was “Mark”.



We all know that the camera never lies. It’s not the camera’s fault if the cameraman makes one or two adjustments to suit.  Faking /  tweaking / air-brushing; we’re all up to it - faking stuff - these days. You know the type of thing. The camera pans out to reveal that the “crowd” wasn’t a crowd after all. The edit changes the narrative. Pallywood as an art form; the art of hoodwink.

But the funniest thing of all is that in the end, if "Twitchy.com" is correct - and I haven’t verified it - the final bit of film is a massive let-down. It’s just a pointless rant by a somewhat unprepossessing, rather charmless woman, which is unlikely to have any influence on anyone whatsoever. If the BBC was hoodwinked by Becky Anderson's stage-managed ensemble, more fool them.

Do tell me if I've got it all wrong. Seriously.

Saturday, 8 April 2017

Twits, spats and tw*ts

Looking at Twitter can be a depressing experience. Look at this extraordinary Tweet from disgraced ‘charity fat-cat’ and widower of murdered MP Jo.
Brendan Cox Tweeted a couple of days after the Westminster ‘vehicular attack’.
“Last few days has shown that the far right hate our country. They used a terror attack to denigrate it. They are no patriots.”

I stumbled upon it when I was looking at professor Steven Barnett ’s re-tweets. (Mar 25th) 



Also on that platform, amongst various references to “Hopkins” (He’s not a great fan) and Fox News, (not a fan) I spotted something by “the Secret Barrister” relating to Katie Hopkins’s spat with Jack Monroe and Laurie Penny, which, as  you are probably  aware, eventually cost Ms. H. a huge fine, (£131,000) the magnitude of which was grossly inflated through her intransigence. (she could have settled earlier with an apology and a donation of £5,000)


(Incidentally here’s something about another case I blogged recently, which might be of interest.)


Her intransigence. Whether or not you agree with the gist of her trolling (I often do - but not always) her intransigence was patently ridiculous, and reminds me of - you’ll be able to guess - Ken. No, not Dodd. The other one. Will he be getting a fine?
This is leading up to an excuse to advertise a number of posts about this subject, which I’m only going to link to, knowing that it’s a comparatively specialised topic that holds little interest for many, more’s the pity.









and finally, Marcus Dysch again.:
It has allowed cranks and nutters, whose pathetic expressions were once dismissed out of hand, to feel as though they are part of normal society, and that the matter of Jew-hatred is open to the same sort of rigorous debate as Brexit, house prices and the football. 
Mr Livingstone’s case has, to a large degree, normalised antisemitism. It is no longer a taboo subject. “
This is a meandering tale with no middle, beginning or ending, with perhaps only an indirect connection with the BBC, and I can’t even say I rest my case, because I don’t.

Friday, 14 October 2016

Torn between Question Time and Newsnight

Imagine being torn between watching Question Time BBC 1 and Newsnight BBC 2

Oh the anguish.

As if the morbid fascination of Katie Razzall’s ‘half-the-story’ film about a Syrian refugee family’s suffering in Newcastle wasn’t compelling enough, the equally morbid, almost rubber-necked compulsion to watch Emily Thornberry crash and burn on Q.T. proved irresistible. 

I tore myself away from the tearful Syrians whose son Omar had just been found not guilty of sexually assaulting a teenage girl in a park, and turned instead to the excitement of Damian Green, Isabel Oakshott, Amol Rajan, Alex Salmond and Emily Thornberry performing before the audience in the RAF Museum in London.



Most of the programme was devoted to Brexit and whether Theresa May should be compelled to publicly reveal her negotiating hand so that various ‘remoaniacs’ could have their say, and possibly their vote,  and Jeremy Corbyn could reflect on it, have a conversation about it, possibly demand another referendum and generally hold the Tories to account. 

Emily Thornberry addressed the Leave voters in the audience:  “How many of you voted for your neighbours to lose their jobs?”  That didn’t go down too well. The assumption was that Leave voters ‘didn’t know what they were voting for’ (redundancy for the neighbours course) because that was what will happen when we leave the EU. 

This struck me as an example of what Emily Thornberry might call ‘people saying different contradictory things’  since Leave voters (supposedly) objected to unrestricted immigration which drives down wages and steals (our) jobs. 

All along, Emily Thornberry emitted a stream of words in her specially adapted version of ‘Just a Minute’, the sole objective being to speak “without hesitation”. (Repetition and deviation were abundant.) Maybe  Q.T. should introduce buzzers.

Isabel Oakshott was good, her hair resting upon her heaving bosom. This infantilising fashion for long hair on adult women is getting irritating. 

Emily Thornberry’s media appearances have been so awful since she was anointed Shadow Home Secretary that having her on this particular panel must have been an act of pure mischief on the part of the producers. I expect they were hoping for another Dermot Murnaghan moment.  In the event it was just one long, drawn out exhibition of unintentional self parody.

The audience has become more unpredictable of late. There were a few surprising contributions, not least of which came from a young man with a giant afro, which doubled the impact of his pro Trump sentiment.


When the programme ended I had the urge to finish watching Katie Razzall’s rose-tinted film. “Did you ever think that this was worse than what you’d left behind?” suggested Katie, in the most one-sided anti-British bit of film I’ve seen for …at least half an hour.

Syria is currently hell on earth and I have sympathy for families like this, but Katie Razzall has managed to portray these particular reality TV stars as such paragons of virtue that this film will have raised the hackles of many more viewers than the filmmakers set out to seduce.. 

It appears this family had been tortured by the Assad regime before they fled to Jordan, where they’d been living for two years before arriving in the UK. 
The suggestion that Omar’s experiences in the UK were far worse than anything they’d experienced in Syria (being tortured) was pushing it. For ‘conservative’ Muslims, whose reputation was one of “high moral standing”, this unfortunate prosecution must indeed have been galling, but let’s not forget - he was acquitted. Found not guilty. British justice and that. 

We heard that Omar couldn’t have committed a sexual assault on a schoolgirl because “our religion” doesn’t permit things like that, and although the local council had laid on classes to educate immigrants on how we treat sluts women in the UK,  the classes were for adults only and the father, amusingly named Marwan Badreddin,  (!) said they couldn’t talk about it to youths such as Omar because “We don’t talk about such things in Syria”.

18 year old Omar says he’s never had a sexual relationship. “Here, we see boys and girls kissing all the time and we just have to try and get used to it; in Syria we wait to get married.” 

The film included a clip of rampaging skinheads wearing ‘rapefugees’ T-shirts.  Throughout the film certain “complexities” within the tale were alluded to, and introduced, bit by bit. 
The family had another son, Abdel Malek, whom they’d left behind in Syria and hadn’t seen for three years. Now it seems they’d just heard he’d been killed while fighting Assad, with “an Islamist group,”  though his father denied that that made him an extremist.

Understandably the family yearned for Syria, but they appeared to have little intention of acquiring any real affinity with the country that had shown them a considerable amount of generosity. 
This wilful blindness to the problems created by the cultural and religious differences between Muslim refugees and ordinary British citizens does more harm than good. Katie Razzall’s conspicuously rose-tinted bias added greatly to the confusion.

Typical Syrian refugees


Later, against my better judgment I saw Katie Hopkins chatting about Donald Trump with a rather irritable Andrew Neil.  Andrew Neil took a disappointingly BBC approach to the subject, while Michael Portillo almost took Katie Hopkins by surprise by unexpectedly siding with her. 

Saturday, 12 December 2015

Skewered? Not even slightly

T’other day everyone was fawning over the BBC’s Andrew Neil for his little rant against Islamic State. “How brave!” they cried, grateful for teeny weeny mercies. It’s not even as though anyone would argue for Islamic State, except perhaps StWC.

Now that Donald Trump has broken the duck - people are venturing into new territory. Not just Islamic State. Moooslims! We’re allowed to discuss Mooslims, as if there’s something slightly antithetical to we atheists and liberals in our cosy western democracies, within their actual religion.

Oh deary me. Whatever next.

Next is Katie Hopkins. In the manner of a Trump-like “I don’t care what people think of my appearance” Katie put forth the best display of how to hold your own against what turned out to be a rather pathetic Neil that one has seen in a long time. Bravo Katie! Her performance bristled with quick thinking and self assuredness the likes of which we rarely see in the hostile, adversarial BBC interview scenario. 

In the manner reminiscent of “when Jeremy Paxman met Tommy Robinson” Katie rocked. She startled ol’ brillo out of the complacent stupor in which the BBC’s National Treasures and icons languish,  assuming their very presence will be enough to demolish the humble nobody who dares to sit before them. 

Katie has acquired one of those tags that attach themselves to Tommy Robinson, Trump and Geert Wilders etc etc.
 It goes “I’m no fan of” (insert appropriate pariah) then the “but” and then the reiteration of the appropriate Katie/Tommy/Donald sentiment.  That’s a badge of honour to which I aspire /  am thinking about aspiring to it.

So as the border between the baddies of Islamic State and extremists, fundamentalists, radicals and moderates continues to blur, it will be less likely that people in power will be able to get away with that “nothing to do with Islam” nonsense. 

Amazingly and rather sadly, over at Huffpo they’re trying to convince themselves that Katie was ‘skewered’. 

They cherry-picked examples of what they saw as ‘skewering’ more in desperation than comprehension. The mind boggles. I suppose it shows how people can view the same thing and come away with entirely different impressions, but really, skewered? Not even slightly.


Saturday, 28 February 2015

"I'm sick of BBC bias on terror"


Here's part of Katie Hopkins's column in The Sun. (To read the whole of her column - and the rest of this bit on the BBC - you'll have to pay The Sun). It relates to the topic of BBC bias, and may be of interest to you. (Or it may not. In which case, to each their own).

I'm sick of BBC bias on terror

                             by Katie Hopkins 
People keep telling me it's the one thing I am not supposed to write about. And my lawyer says it will be expensive. But to with it all because, frankly, I've had enough. 
I am outraged my country is changing and Great Britain is looking less great. I am also sick of holding my tongue. Enough. 
The simple fact is nearly half of Muslims in the UK think the bearded loons who spout violence against the West are pretty much in line with mainstream Muslim opinion.
According to a BBC poll, almost half - 45 per cent - believe that extremist clerics who preach violence against the West are not "out of touch". 
Do you hear that? Forty-five per cent of Muslims in the UK think that the hooked preacher of hate was dead on the money. They see bearded fanatics ranting in the street encouraging their "brothers" to machete the heads off white boys and nod approvingly as they saunter off to Sainsbury's.
When I heard the BBC celebrating that the majority of British Muslims are opposed to those who want to fight against British interests I wanted to yank my radio from the wall and hurl it through the window of the nearest halal-only Subway.
Even Baroness Warsi thinks that it's all a bit dodge. And she is basically Ken Livingstone in drag.
This is not journalism. This is not responsible reporting. This is the reason we should stop paying the licence fee. 
We must stop funding left-wingers to ingest The Guardian and make biased programmes. 
Just because you ride a bike to work, doesn't make you right, you pompous, soft-shoe-wearing fools.
It is time that BBC reporters were accountable for what they write and say.