Wednesday, 1 January 2014

Andrew Marr's Good Samaritan


You may have missed it when it was first published last month (I certainly did), but there's a fine article in the Spectator by Andrew Marr. It's a bit of a plug for his new book on drawing, but it opens with a beautifully-written anecdote: 
We live by simple stories. X has a stroke. X recovers; or doesn’t. But we live inside more complicated stories. Recovering from a stroke is a long haul; I still have an almost useless left arm and walk like a wildly intoxicated sailor. In my mid-fifties, my stroke has been a special excursion ticket into old age — socks and toenails a bewildering distance away, walking sticks with minds of their own — that kind of thing. But here’s the odd bit. This is an old age whose effects (if you do the physio) lessen as the months pass. I’m living backwards — what a rare privilege! I am getting out again, walking, drawing and even shopping. But it still takes an hour to get dressed, and I still fall over. I was trying to sneak discreetly out of a showing of The Butler (don’t bother) when I took a terrible tumble. Very embarrassed, I was picked up by a great bear of a man who more or less carried me out of the cinema and offered to walk me wherever I was going next. He couldn’t have been nicer. And who was my good Samaritan?  That demonised fellow Jonathan Ross. You never know what people are really like until you meet them in person.

1 comment:

  1. I quite like Andrew Marr. When he used to host Start the Week on radio 4 he seemed well-briefed and knowledgeable, which is more than you can say for many BBC hosts. His annoying habit of going ‘mmmm’ all the time was a bit of a distraction. Once you started noticing it.
    I do agree about the importance of drawing, I think I’ve mentioned before that it’s a dying skill, at least it’s not taught in art schools these days as it used to be. But I didn’t know Sandra Blow was a designer, because she’s a painter, surely. Maybe he’s confusing her with Zandra Rhodes? I sincerely doubt whether the work of some of the artists he cites is rooted in drawing. Antony Gormley with his stiff as a poker figures? Not really. But I’m all for visual literacy. Bring it on.

    Sorry about your stroke, Andrew, really, and sorry that you fell over. But just because Jonathan Ross picked you up and was nice to you doesn’t mean he wasn’t a total tit for the infantile stuff with Russell Brand.

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